So—here we are! I am just so, SO, sooo blessed to get to be on Celebrate Lit yet again. And book FOUR of my Lost Colony series! Initially I thought two, maybe three books. I pretty much disregarded the possibility of writing Virginia Dare’s story because, well, there’s a good bit of mythology surrounding her, and I felt absolutely no inclination to tackle any of that.

​

Until early last year. The idea dropped into my head and seemed too obvious to turn away. I didn’t have much idea of what would actually happen in the story, although I knew I wanted to explore the identity of the Mangoac, who held the interior of what is now North Carolina and Virginia when the Spanish and the English first arrived in the New World. They spoke an Iroquoian language and were referred to with dread and distaste among all their neighbors, including the Powhatan. Those people are what we know now as the Tuscarora.

​

Little was known of the Tuscarora before John Lawson wrote of his journey through the Carolinas in 1700-01. A few years later, Lawson himself met with a fairly horrible death at the hands of the Tuscarora (one wonders what he might have done to tick them off), and tensions soon escalated between settlers and indigenous peoples into all-out war. After their defeat by the English, the Tuscarora people moved northward and became the sixth nation of the Iroquois Confederacy.

​

They call themselves Skaru:re—pronounced sgah-ROOO-rah (with that long “ooh” held out a little extra)—translated variously as “Long-Shirt People” or “Hemp People,” for the garments they would weave from “Indian hemp,” also known as milkweed. The Tuscarora word for milkweed does indeed contain the same root as Skaru:re, but no one knows when as a people they might have made the transition from merely using milkweed fiber for cording or twine to spinning and weaving it into fabric, as the English did flax for linen.

​

I decided to have a bit of fun in my story, then, with Ginny being questioned about the making of a linen garment, and then a later mention of a “rough, twiny fabric.” I’d meant to expand upon that a bit, or at least address it in the historical notes at the end—and then completely forgot until working through the galleys.

​

So I get to talk about it—now. 

​

You might guess that both details, which may feel random to the casual reader, are a nod to the translation of the name Skaru:re, and to the influence that either the Spanish or the English might have had on various Native people groups. A good author endeavors, of course, to not have any random details littering a story. In Virginia, many small things point back to previous stories—there are hints of connection to Rebecca as well even though either story could be read before the other. By the same token, all four books are what we could term alternate history—a reach beyond what is known into what might have been. I think it most likely that as Native peoples acquired European fashions, they used what they already had (in the case of the Skaru:re, a familiarity with milkweed and other materials to provide fiber) to produce garments and other items modeled after what the Spanish and English used. They were nothing if not eager to take advantage of new technologies—and what if their contact with members of the Lost Colony was what sparked the idea behind their famed “long shirts”?

​

A stretch, for sure. But there’s a reason why I’ve always enjoyed writing speculative fiction as well as historical. :)